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Sure, you get to 'keep' the software when you choose to not upgrade, but you'll find it will soon be outdated, much like the outdated CS6 that you 'Own'. Adobe Could raise or double the subscription at any time. So could your energy supplier, your mobile phone supplier, your grocery store etc You kind of have to get on with life.
And your last statement about not developing towards pros; really? Do you want to read that back to me? What can you do or need in the new PS you can not in the old one cs6? Ps is so big.. Sure, my mobile network supplier could double my subscription.. With Adobe you are locked in a system and your pictures as well. Which is not the same, imo. I am not a fan of competition.
It can be good or bad. But in this case, this is a perverse monopoly for customers. Sure, I am aware that PhaseOne could play the same bad game in the future.. Photoshop CC is faster, much better masking, content aware features, 3D features, the list goes on. There's so much more that it can do, and since we're talking about professional software - it's stuff that saves a bunch of time and money. Why are you locked into a system with Photoshop?
No more than say, using a camera, which costs a whole load more than software. In fact it costs a lot less and you're not stuck with it either. It's a bit clunky for me - I tried it - but it sounds like it would work for you. This old trope that Adobe are hoodwinking us all into locking ourselves in to their platform is redundant. Do you have any idea how expensive Photoshop CS was to upgrade every 18 months?
More than the subscription, and CC is regularly updated. The idea that you're stuck having to pay for the software for the rest of your life is moot too. If you're not going to use the software, stop the subscription. Owning the out of date software isn't going to be of any use if you don't need it, so what's the problem?
Operating systems change, technology moves forward, and Adobe has to keep up with that, and innovate at the same time. The 18 month upgrade cycle was getting really cumbersome for professionals, and most users were pirating the software because it was so expensive. I just don't buy the "Don't use Adobe because they're gonna get you in the end" BS. The software is good!
It's essential in my line of work, because I shoot digital photography. I stopped printing from negatives years ago. You're right though - it is a monumental software. That should at least be valued at something. I purchased and tried Affinity. Unfortunately, it does not features the basics for my needs selection, levels, shortcuts are broken, abour 3 time slower than cs6, buggy file management. I do hope Affinity v2 will do the job so I could totally get ride of Adobe.
As a professional user I need the software I use to be up to the minute, so I can save time delivering a high quality competitive service and product to my clients. Time is money etc. Updates, support, innovative new features. All add to and enhance my creative output.
You don't need these enhancements or features, but that doesn't make Adobe particularly evil. It just means that they're not producing software for a price you deem reasonable because you don't want to subscribe to access that software. You don't need Photoshop CC, but you're hacked off that you don't have it because you don't want to pay for it! Therefore Adobe suck? In the case of C1 Pro - it probably IS still worth the price. But the fact is Phase One will lose my subscription because Adobe have a product that is so very nearly as good, but for less than half the price.
It can't be ignored that Phase One have put their prices up this year. By quite a lot. Let me put it this way. And I need Photoshop anyway, so Lightroom is practically free. I've developed photographs in Lightroom. It's not my favourite, but it does the job really well, it's getting better, and faster, and it is more universal, so has better integrations with other software.
I'm talking about online gallery selections importing straight into Lightroom from CSV files, as well as the more obvious filters etc. What a nonsense. They have the worst UI, the worst usability, their catalogs choke on All this revolting against subscription models, but they are cheaper then what CO offers, give you the latest feature and camera updates at 2-month intervals and the Lightroom eco system is unrivalled.
Let me repeat: non commercial photographers should stay away from this software since you don't need it. It's complicated, expensive and in many areas it is behind the competition.
Yeah, the problem with unhinged and unbalanced ranting from oppinionated commenters is they often miss the nuance of the discussion, and get angry about the wrong things. But thanks for dropping by. One person decides C1 is now too expensive: fair enough, but how is that informative for the rest of us? We can't see Jadot's work, here. We have no idea what his photography looks like, where his creative aims go, what his quality standards are. We already know he's misinformed--he says he plans to migrate to "sessions" in Lightroom!
Lightroom doesn't do "session" workflows. What light does that shed on anyone else's photographic path? Every time Adobe exhales we get breathless reviews of "the future. Maybe a repost here and there. Meanwhile, there is a massive swath of our profession--particularly high-end commercial work--that runs through C1.
Are they all wrong? Why do DPReview's editors presume we aren't interested? The upgrade price is Euro. It is an investment that decreases your income tax, so it is actually maybe 80 Euro per year. You could even do bi-annual upgrades to half the price. If you save 2 hours per year, by working faster in CO than in LR, or avoiding a discussion with an unhappy customer, it is even a free software. MirashootsNikon - why are you so upset?
Couple of points ; I didn't say that C1 is too expensive for what it does. It's the best DAM out here is what I said. I've been using it for 15 years in high end fashion studios, on location, and currently for my wedding business, andwill continue to do so. I said it is getting too expensive for small businesses like me to be able to justify the price, and more so in the light of the fact that LR is practically free, when compared.
See if you can tell me which ones are which. I know you're cross about everything right now. That's ok - people get very defensive about things like camera brands or software, or iOs Vs Android etc. I will say that you're probably upset about the wrong things.
You should check that. I can't comment on DPRs editorial choices. Take it up with them. Just to clarify - I work in Sessions in C1. Each job or session or shoot or wedding is given a new referenced session so I can keep weddings separate.
I used catalogues for a while, but they weren't always stable and C19 especially was slow with catalogues Migrating my workflow into LR is the same thing to me.
Did you just try to school me on 'what words different software use'? It was obviously developed by Adobe to control their revenue. People have been brainwashed into accepting all of these subscription and cloud services.
Completely crazy to me especially regarding creative work. It's ok though. I don't mind what you think, and I apologise that you and others seem to have become upset enough as to feel like you have to weigh in on a discussion about something on a forum here. You're not really contributing to this particular thread in a positive or indeed relevant way.
These threads always turn in to a C1 Vs LR thread until people just want an argument about nothing. I started this thread to discuss a shift in how I use some photographic software, but innevitably it turns into statements and anger about Adobe taking up hell and destroying photography for all.
Terkwoiz - I think Adobe developed CC to upgrade their revenue plan so they could continue to innovate software and services an eradicate piracy. That seems fair enough, and while the common assumption is that Adobe are monopolising, they're really not. There is competition, for example in their own CS6 for users like yourself, Affinity Photo, And so on and so on. Nobody is being brainwashed into cloud services and subscription models - subscriptions are just relatively new to software is all.
Subscriptions and cloud services are actually a really good idea for the less paranoid among us, and enable my business in ways far beyond Lightroom, Adobe, or C1. For example, I use email, One Drive, Google Photos, iCloud, and countless other day to day software, not to mention my mobile phone 'subscription'.
There's nothing lazy about it - it's just more efficient in some cases, and it runs alongside my personal server, and personal cloud services just fine. To dismiss all critical thinking as paranoia is very black and white and just naive. Cloud storage is one of the biggest marketing gimmicks there is and is totally unnecessary. Using personal servers is much more cost effective and anyone running a business should educate themselves as to how to setup and run them.
Your argument is for the sake of arguing. It rarely is. Adobe CC is super-intrusive. It connects every few minutes with Adobe headquarters via about 25 different methods and URLs. It sends all your actions with Adobe software and probably file names as well back to Adobe. It's permanent spyware. No way. Agree with you about the phoniness of Phase One's anti-Adobe marketing. At launch: - phase one. I will leave it up to you to figure out what those companies do.
Also, by default you opt-in to share all use date with Capture One "to improve the software". Read: use it for marketing purposes and customer profiling. Take off your alufoil hat please. Phase One is not a hair better then Adobe in every possible regard, they even pay to use Adobe's services. I see that BS claim made often here, usually when people get defensive of Adobe.
What you're saying is that your previous work wasn't that great because you used software that was lacking a bug fix or new camera profile for a camera you don't even own. That may be true, maybe your previous work sucked, but these minor fixes aren't going to save you.
Who knows Maybe because they said Lightroom would never go subscription-only You can reset all adjustments or view original and see if any adjustments have been made, but not see a list, processing history or tools that have had edits applied highlighted in the application. Aperture had this great system where when you made an adjustment in a certain tool it would put a tick on that tool, so you could clearly see and yes disable it while keeping the adjustment if you like which tools have had adjustments.
Wow, photography is getting expensive, especially if you need such sophisticated trickery to rescue your substandard camera work. Well, C1 does a terrific job of rescuing my substandard camera work, that's for sure, although there are times when ACDSee's Light IQ tool does a better job of it. I do miss the days when Sony owners got a sweetheart deal on C1 Pro for Sony.
At the time I was trialing Lightroom, but then that C1 deal practically landed in my lap. A gift from the photography gods! I'm surprised my comment triggered so many people. The truth hurts even more than I thought Hi fuego6, yes I know Sony users still get a discount I bought the upgrade. Just wish C1 Pro for Sony was still relatively inexpensive like it used to be in the good ol' days. People flee Adobe for 'their greed'. Look who the real greedy company is now.
Already stopped using their products when I couldn't update an older license anymore to the Pro Version I used to have a Sony license too. Does anyone know if there's a way to use a ColorChecker with v12 without resorting to Lumariver, which is a bit of a diversion? BasicColor Input, but it's expensive and extremely limited in features compared to Lumariver.
Either way, they both create substandard profiles compared to what they can make for Adobe software. C1 forces a locked base profile, on top of which the ICC profile what third party software creates works, so you're somewhat locked into what C1 has already done. One of the many reasons I don't like C1. Canon M will be the 1 selling mirrorless this year, just wait and see M50 sales are insane. Now Canon having two mirrorless mounts will be exciting for the future of course It gets interesting when they do the mirrorless versions of the 7D and 80D there may, or may not, be another DSLR version of each in the meantime.
What mount do you choose, as most of the latest and greatest lenses they will want to sell you will be on the RF mount by then although there will be plenty of EF lenses around for many many years, but the cute new stuff will presumable be RF?
Even amongst pros it is not the industry standard. Yes a lot use it but every single pro I know which is a lot use Lightroom including myself. Well, pretty much every site which reviews lenses or cameras always refer to Lightroom if correction profiles are concerned. One may like or not like Lightroom, alternatives can be subjectively or objectively better and with more features, but this doesn't change the fact that most consider it "the standard".
I'll definitely try it as a trial. I've compared DXO and C1 a few times. DXO can't produce as natural skin tones as C1, unfortunately. They tend to be more orange, and "blocky". I was almost going to switch over, but, alas, the skin tones let it down. They look the same as in Adobe software. You find this feature in the "Color Rendering" options. For category, I generally choose "Camera Body".
The colours have deeper reds and a bit more saturation out of the box than the default profiles. Either that or go and get the Adobe DCP profile for your camera and use it with a portrait or landscape render, depending on what you are shooting.
Both methods work well. Chasing profiles around sounds like a strange way to develop photos initially but once you find some profiles you like, DxO renders exactly to taste. Instead of fighting the colours of each photo individually as in C1, you start from good and have the time to tweak each photo.
C1 is great. Almost perfect, I would say. It's unfortunate that the prices are spoiling the party. I'm prepared to pay for high quality, but with these prices, Phase One is rapidly departing from reality with the Styles packages they have done so long before. It's not like they force me to upgrade. I can do it when I feel like it, not being forced to pay every single month just to be able to open my own files. Pinionist True, you get a lot in return. Nikolai Yes, photography is an expensive thing.
I just don't think it makes much sense to compare prices of equipment with prices of software. Prices should be proportional to what you get in return. O well, at some point Phase One will realize that their prices affect their sales. When that happens depends on the wealth and sanity of their target group, I guess. Way too much expensive as it is now, and they're not that quick adding lenses profiles as well, omitting minor brands.
For such a steep price one expect pretty much perfection on everything. Yeah, they have that "manufacturer profile" feature, which I'm not sure it actually does what it should do. What I'm trying to say that even with price increase for Capture One Pro, I'm ok with them as those improvements they implemented in v12 are for me beneficial.
Actually you are forced to upgrade because new databases are not compatible with older ones. Adobe color is great, especially with their new profiles and if you don't like it is easy to update them to your liking. For the price they're charging, the value is simply not there for non commercial photographers I would argue their only true assets is tethered shooting and medium format, and perhaps Fuji X-Trans raw processing.
Photography is mainly my hobby my first hobby, VFX I turned into job and 15 year career. But even as a hobby, I value my time spent on editing photos as that time can be also spent on other things. Kinda limiting If you want to keep up to date with a perpetual license it'll cost you more than the subscription, so you'll have to skip every other year to call it cheaper. I'm thinking of switching to C1 but might be the subscription would be cheaper, especially if I put an eye on it - given I'm not a pro - and skip those months when I won't use it.
Buy it once and get cheaper updates forever if you need to. It will still be cheaper than subscription. Ok, overriding my previous comment: Not for the first two full years, but it gets cheaper on the longer term - if you plan to pay for continuous time. If you like me might get away with not using it for one month here and one there, then maybe not. Everyone: Currently a C1 subscription in the U.
But of course if you buy you can stop paying and still have it. Oh and I thought I'd heard that they only allow upgrades to the previous version, so can't skip any? Can anyone confirm as I see people saying they will skip a version or two? RAW Files! But I have a z6, it automatic pick one for you like LR, It doesn't have S lenses profile yet, since I was shooting the kit so it gave me a generic profile. Since I got the z6, I need a new editor. I prefer LR but not the subscription model grant it would be like 2.
Currently doing the DNG conversion. Doing another 1 month trial. C1 is missing history, photo stitching panorama, multi shots. Perspective control is,I don't know, not as easy. The editing seem to have more manual adjustments. The biggest road block is relearning a system, but if you know the concept it isn't too far off from LR. I noticing LR and C1 looking more like nikon capture NX color, something older nikon camera color profile don't didn't have. I actually take work exports from C1 into ACR specifically for perspective control.
C1 absolutely never picks up on anything automatically. ACR does it nearly every single time. Spectro If you do not like the tools selection, then make a custom one that fits your needs.
It is easy and has been a feature of C1 since - well forever. Just try and create a customized panel in LR, go ahead try. Maybe the tool tabs are hard for you to understand, but then I think you just might be in submerged in Adobe think.
Just did a shot shoot, doing most of the editing in lightroom DNG for workflow. Working on a few image for C1. I don't sit around and spend hours on a shot, more like 10 mins at most, then copy paste settings, which LR does well since I am familiar..
I do this moonlighting photography , so it doesn't effect my normal career. Very poor timing to announce price increase the same week most companies have Cyber Monday deals! I have upgraded in the second half of October to 11 and the support told me that I cannot go for the Fujifilm version.
Plus, I'm in Europe and I have to pay even higher price plus taxes on top of that. Also, once a new version is due for release, the older ones are no longer supported, including bugfixes, cameras and lens profiles.
Essentially, I see it as an extortion. Yep, Phase One just wants to trick you in the tent and once they have you there, drain your wallet for all its worth. I own at least four Phase One software products including C1 Sony Pro and Phase One have always screwed me out of a useful or affordable upgrade path, even taking money for updates to software which they only made worse iView MediaPro.
Just did it. Seems snappier than the previous version. I guess that it wouldn't have hurt to make the fuji film simulations open to files coming from non-fuji camera's The colors wouldn't work perfectly, anyway. They're not universal profiles. Even between models of the same brand, there are usually issues when exchanging profiles with another camera. If you turn off all color correction, you'll see that each camera still has different colors in the base profile.
While you'll get close to Fuji style by applying their ICC profiles to other cameras, it won't be accurate. And even if you use something like the X-T3's profiles on an X-T1, you'll see the result is different than the X-T1's own profiles.
This is one fallacy that many people believe is true about C1: that you can use one camera's colors on all cameras. Unfortunately, C1 missed an opportunity by not making a standardized base profile. Each camera's base profile looks different, and has its own unique ICC profile to get the final result.
While it boasted quite a few advanced features, it was accompanied by a hefty price tag. DJI has pared down this offering a bit with their latest subg release, the Mini 3. Is it worth the investment? It's powered by the same impressive tech that guides self-driving vehicles and can detect and avoid obstacles from every angle.
Can it overcome a lackluster camera to win hearts and minds? The latest iteration of ON1 Software's flagship Raw editor is jam-packed with AI smarts that aim to lighten your workload by taking subjects into account when making selections, applying presets, keywording and more. Find out if it's right for you in our review! Every year, DJI releases a new consumer-grade smartphone gimbal. The Osmo Mobile 6 is the latest model in the series. Is it good enough to enhance your videos and photos?
We've combed through the options and selected our two favorite cameras in this class. These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage.
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Street photography demands a discreet, fast focusing camera. Some, like our own Chris Niccolls, also require that they're pretty. Here are his top picks at three budget levels. The Orion spacecraft will be landing off the coast of Baja California this weekend. On December 5, Orion's 20th day in space, the spacecraft performed its longest engine burn and captured some of its best photos of the moon. The new lenses remain essentially unchanged from their Sony E-mount and L-mount siblings, which were released earlier this year.
Watch as photographer Markus Hofstaetter restores a year-old Century No. Apple has announced it intends to release advanced security features to protect various data stored on iCloud, including photos.
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Chinese smartphone maker Tecno has announced a new flagship smartphone at an event in Dubai. The Phantom X2 Pro includes a triple-camera rear array featuring a retractable smartphone camera with a 50MP sensor and 2. Photographer Benedek Lampert took a massive LEGO Eiffel Tower into downtown Budapest to capture a nighttime photograph that made the replica tower look almost as real as its much larger, more metallic Parisian predecessor.
Perpetual license owners will receive bug fixes until the next major release, but new the features and functionality you get at launch is what you have to work with going forward. Chris and Jordan recently spent a delightful afternoon sharing their list of the year's best and worst camera gear.
Now that their hangovers have worn off, they've prepared a more sober reflection on their choices. Pixelmator 3. The new features include brand-new video editing tools and support for additional motion-based designs and file formats. The winners of the International Landscape Photo of the Year awards have been announced, showcasing stunning natural beauty from around the world.
The Loupedeck Live S is now available following a successful crowdfunding campaign. The new editing console is Loupedeck's most affordable and compact product, making it a great choice for beginners or photographers on-the-go. As someone who came of age in the digital world, I never thought I'd be a fan of film photography. One film class in high school, however, changed my outlook on the analog art form. Landscape pro Erez Marom takes a look at how to best achieve a sense of depth in landscape photographs.
It's that magical time of the year when Chris and Jordan look back on the year's best and worst releases of photo and video gear. Tradition dictates a drinking game, and this year it's a doozy Film photography is continuing its revival.
New films are being announced, new cameras are being unveiled and we've rounded up a collection of film photography items you might want to consider getting over the holidays. Portrait photographer Markus Hofstaetter knows a thing or two about capturing eyes of subjects. For his latest project, however, he takes eyes to the extreme with super-close-up macro photos of irises, showing eyes in a new, alien-like light.
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The results were interesting in more ways than one. For many film photographers, a light meter is a critical part of their kit.
Reading mode: Light Dark. Login Register. Best cameras and lenses. Now reading: Phase One releases Capture One 12 with new interface, third-party plug-in support comments. Revamped menu system Every menu item in Capture One 12 has been evaluated, categorized, and organized according to its logical function and grouped along with associated tasks, which makes it easier to find the desired controls and settings, and brings the Mac and Windows menu options into alignment.
Luminosity masking One of a trio of new masking tools, Luma Range allows users to quickly create masks based on the brightness of pixels in an image and is the most powerful luminance masking tool of its kind. Linear Gradient Mask Capture One 12 takes gradient masks to the next level, allowing for editable, moveable, rotatable—and best of all—asymmetric gradient masks. Radial Gradient Mask The new Radial Gradient mask tool enables quick, flexible radial masks, useful for vignette and other adjustments with a desired falloff effect.
Redesigned Keyboard Shortcut manager Capture One is known for its ability to custom-assign and custom-configure virtually every task to a keyboard shortcut. New plug-in ecosystem To address the needs of photographers and creatives looking to share, edit and collaborate on their images, the new Capture One plug-in ecosystem will allow for powerful third-party extensions.
Fujifilm Film Simulation support Fujifilm X-Series and GFX-series cameras feature Film Simulations, which are in-camera tonal adjustments that faithfully reproduce the color and tonality of classic Fujifilm photographic films. New camera and lens support Capture One provides users with the most accurate and powerful image editing available, and the wide-ranging support of cameras and lenses is a hallmark of the software.
Tags: capture-one , capture-one , phase-one , plug-in , third-party. View Comments Comments All Temp Username Capture One Mobile would be brilliant. KAllen I would probably switch to Capture if it wasn't for two brilliant assets of Adobe. Gionni Dorelli Great software getting better and better. Christophe D Possible to use it now at last without its extremely annoying "catalogue" fonctions? Best, Andreas. UncoyDP Great research. Could we please have the upgrade fees from each version?
Why so greedy Phase One? Akpinxit Tried the demo for three days. BobT I was about to press the button on C1 but this price hike has put a stop to that. So yes, it is a big deal for the rest of the world. Fafner I really struggle to understand this usual "if you spent that much for this you won't have problems with that". There's some common sense in there somewhere. Midwest Camera Guy Love these replies. Why aren't you outside somewhere up or down a hill 'living it' on your bi-cylce?
The plugin SDK is really underwhelming. You can't even get access to the image data. K e n n e t h If you have to dig down through support articles to find a link to download the free version, while the paid version of the same plugins are much easier to find UncoyDP That knowledge base article is not hard to find.
EdwardWestonNYC yeah a bit crazy. SimonMetcalf In general C1 is improving quite slowly. SimonMetcalf I agree. SmoothOperator No third party mf lens support, again.
Maybe they will make a lensfun plugin. OBI If you are in photography business making a livelihood from taking pictures and you have "dig" under the skin of CaputureOne, then you know there is NO other software which may come close.
End of Story. Try getting Velvia-type colors and saturation with C1 - any version. You can't. I get better colors with ON1 Raw. Metadata removed. There are no bad tools anymore today, in the right hands all these tools are extremely powerful. Jon In the U. Jon UncoyDP - which asset management software do you use for photos? BlueRay2 phase1 rev. PaulinUK In October I upgraded to v11 as needed it for the Sony A7iii profile, but for some reason I thought I had paid "extra" as part of a deal that future upgrades would be free BlueBomberTurbo Free updates only Graham Gibson "Perpetual" means you always have a v11 license and access to the minor updates for that version.
Walter Rowe If you purchased v11 in the last 30 days, you get v12 for free. PaulinUK Walter - purchased v11 14th October so reading the message today its 33 days!! PaulinUK sh - correct, just looked up on internet what "perpetual software license" means and it does say to use one specific version indefinitely. UncoyDP Phase One love to over promise and under deliver in terms of update pricing and legacy customers.
Time for an ethics in software course. Svetoslav Popov That's the beauty of using a perpetual license. BlueBomberTurbo Forward compatibility only. Meanwhile, Adobe offers backward compatibility for all new cameras.
David Mantripp C1 has a great tool set and an ok UI although frankly it is as irritating at times as Lr, just in different ways. Svetoslav Popov Yeah, could be the Olympus profiles.
Full price, it's much harder to justify Walter Rowe The decision should be based on value the product brings to your clients if you are using it professionally. BrentSchumer Ouch. JakeB I am very unhappy about this upgrade. It has ruined my Friday. Due to this upgrade I am quitting photography forever.
CallMeAlan Make sure the door doesn't hit your rear end as you leave. Svetoslav Popov IDK, sounded like some fun troll. Total waste of money. At that price, they are not worth it. BlueBomberTurbo Adobe includes their new styles for free. FuhTeng Hey look, another good reason for me to not get any new cameras for years now that I have my Z6.
Rob sorry not worth the price. More expensive than it has been too, which is saying something. I can't be the only one. Imo, one should not based it's business on partner one can not trust Adobe. Svetoslav Popov It's only bucks per year if you upgrade every year.
I have no use of that improvement. What have Adobe done to prove that they are untrustworthy? Nice discussion. I just don't buy the "Don't use Adobe because they're gonna get you in the end" BS The software is good! I would not update either to an cs7 if it would exist.. Thanks for sharing your opinion. This stuff is real. It's happening, and Phase One are going to lose customers. LR does not meet the quality i want to deliver.
C1 is faster as lr my experience and ps cc is not faster as cs6 on my setup.. MiraShootsNikon Why is this thread an "editor's pick"? Just my 2ct. MiraShootsNikon Actually, the more I think about this, the more absurd it gets. Terkwoiz jadot - cs6 is really not lacking whatsoever. Use C1 or Lightroom. Nobody cares. Not brainwashed. Just busy. Got it. CS6 while intrusive is nothing like this.
Jonsi "As a professional user I need the software I use to be up to the minute" I see that BS claim made often here, usually when people get defensive of Adobe. Vam not yet a "history" panel? Vam OK, the reason is this! WPNL Did you mean "future panel"? Jon Does anyone know if there's a way to use a ColorChecker with v12 without resorting to Lumariver, which is a bit of a diversion? Jon Thank you! Jefftan ridiculous! Anulu Canon M is dead Jon Canon M will be the 1 selling mirrorless this year, just wait and see M50 sales are insane.
Jefftan M and R can co-exist why one need to kill the other. Jon It gets interesting when they do the mirrorless versions of the 7D and 80D there may, or may not, be another DSLR version of each in the meantime.
Who are they kidding? I think Adobe may have that title Stu 5 Even amongst pros it is not the industry standard. PaulSnowcat Ummm no I think LR is one of the worst raw processors Definitely not an industry standart. Fafner Well, pretty much every site which reviews lenses or cameras always refer to Lightroom if correction profiles are concerned. Eric Hensel You can lead a horse to water PaulSnowcat I'll definitely try it as a trial.
Jefftan i agree if u like DXO color. Jefftan have u tried "neutral color neutral tonality v2" in DXO? PascallacsaP C1 is great. PascallacsaP Pinionist True, you get a lot in return. PascallacsaP Nikolai Yes, photography is an expensive thing. Fafner Way too much expensive as it is now, and they're not that quick adding lenses profiles as well, omitting minor brands.
EdwardWestonNYC Actually you are forced to upgrade because new databases are not compatible with older ones. PankajDubey it is not cheap as compared to Adobe creative plan given its yearly upgrade cycle. Jefftan really need so many new feature? EmotionBlur "Buy it once and use it forever" meaning no updates forever except those small one for the first year before new version comes in.
I feel like people like to bleed every month lol. EmotionBlur Nope, buying and updating is not cheaper EmotionBlur Ok, overriding my previous comment: Not for the first two full years, but it gets cheaper on the longer term - if you plan to pay for continuous time.
Jefftan i typically buy a new camera every 4 years so buy once and used. You must swim in money Jon Svetoslav Popov - no, but I doubt I'll use the current ones "forever" Spectro there is a 30 trial, try it yourself. Spectro Since I got the z6, I need a new editor. PDL Spectro If you do not like the tools selection, then make a custom one that fits your needs.
Spectro thanks for your advises you all, still got time on the trial, to see what to buy. Learn more about Numbers. Learn more about Keynote. See how she incorporates creativity into her quest to help others. Studying Medicine, Chulalongkorn University, class of I knew I would need to discover new ways to learn if I wanted to become a doctor. The rigor and intensity of medical school pushed Sukonpatip to find the best tools to help increase her productivity, organizational skills, and retention.
It enables me to create colorful content that makes it easy to identify anatomy and understand how the human body works.
Plus, writing with Apple Pencil is smooth and natural. Its functionality is dynamic and user-friendly. Amplifying her notes with drawings, clips, and imagery helps Sukonpatip remember information better, as well as supports a seamless workflow. Not having to print slides also saves time and a lot of money!
Today, she has many followers on social media who look to her as an icon of productivity and source of inspiration. See how Alferos is using Apple technology to drive impactful policy change and help combat discrimination and digital insecurity in higher education.
I love the flexibility of Apple devices, and how dependable they are, wherever I am. As one of the few African and Asian Americans in his school, Isaac experienced systemic racism early on.
I learned to reject what I was, in favor of performing what they wanted me to be. For the past year, Isaac has served as president of the Cal State Student Association and was recognized by the California State Legislature as the official representative of , students across all 23 CSU campuses. Notes on iPad with Apple Pencil supports every aspect of his civic engagements with board members and campus leaders, as well as his research work.
For academics, Isaac uses Mac with RStudio to crunch data sets and conduct research for his successful proposals — like writing statewide legislation that makes it easier for low-income students to apply to college with a single, universal application. The foundation of leadership and productivity that Isaac has built as an undergrad will continue to serve as a springboard for his commitment to social justice.
Accessibility features are built in for every kind of learner. Like VoiceOver, which uses audio to help you navigate within apps. And Speak Screen to turn any textbook into an audiobook. Night Shift uses your clock and location to automatically adjust the color of your display for easier all-nighters.
Sidecar wirelessly connects your iPad to Mac as a second display for more study space. Spaces gives you multiple desktops on Mac to compartmentalize different projects. Reminders and Calendar keep track of deadlines and schedules.
Calling all creators. Everything is yours to reimagine and remake. Explore newfound passions and pick up new skills. Build an app, create a series, or launch the next big thing.
Surprise yourself — and the world. Learn more about iMovie. Learn more about GarageBand. Learn more about Photos. Learn how she turned a childhood pastime into an inspiring career path.
I use it for just about everything. Suwara Sumettavanich has dabbled in art most of her life. Born into a family of healthcare professionals who work long hours, she would pass the time with drawing. Now, she looks to create beautiful designs to bring joy to those around her.
Ideas come to her in parks, coffee shops — anywhere and at any moment, Sumettavanich says. Voice Memos on iPhone help her capture her thoughts. And I store my work safely on iCloud, so I can access my creations anytime.
These tools make it easy to add notes, pictures, and transitions that really liven up our projects. While Sumettavanich hopes to join a creative agency after she graduates, she is also interested in philosophy and meta ethics, which has expanded her perspective of beauty.
Apple tools help me do this. Learn how Lim-Chan is using iPad and Apple Pencil to create web comics that tell stories from marginalized communities. Bringing those together on iPad is a magical process. With their insightful, thought-provoking works, California College of the Arts MFA student Elle Lim-Chan is using iPad to transform traditional comics into inclusive experiences that comment on culture and identity.
For queer and trans people, actively shaping a space for ourselves is particularly relevant, but it has been harder to do. After graduation, Lim-Chan intends to use their portfolio to progress their career as a freelance artist working across multiple mediums — a testament to how Apple products can open new opportunities of creative freedom.
Mac and iPad come with all the apps you need to start creating. Learn more about the Pro Apps Bundle for Education. And no matter your level, Apple has resources to help you advance your coding skills. Learn more about Swift. Learn more about app development. Vega is a mechatronics major who is building engineering solutions on Mac to support space exploration. Studying Mechatronics Engineering, Universidad Panamericana, class of I want to develop apps that make a positive change here on earth and beyond.
Ever since he saw the reverse landing of a SpaceX shuttle as a teenager, Vega has been fascinated by rockets and space. Develop in Swift includes free resources to help you learn to code — in or out of class. Learn more. Creative Projects video series shows you how to film, edit, draw, and more on iPhone and iPad.
Watch now. Master Your Major with curated apps for every subject. Whether your classmates are in the same room or in a different country, secure collaboration is key. Share ideas in live documents, send giant files, or talk it out using your favorite chat and video conferencing apps. Messages syncs your conversations across iPhone, Mac, and iPad. And when you need to figure out a problem together, Messages on Mac makes it easy to share your screen.
AirDrop lets you share your photos or project files wirelessly with anyone in the room. Group FaceTime is perfect for brainstorms with up to 32 people.
Pages , Numbers , Keynote , and Notes are built for collaboration. Share a link, and your classmates are in. Privacy and security are built into every Apple device. Control what you share — and who you share it with. Meditation sessions. Original shows. And playlists for mellowing out. Balance work and play with apps and services to keep you entertained, relaxed, and well. With gorgeous Retina displays , immersive sound systems , and all the content you can dream of, Mac and iPad transform any dorm room or living room into a full-on cinematic experience.
Take a beat. Or actual marathons. Play across hundreds of new worlds with Apple Arcade. One subscription. No ads or in-app purchases. Do Not Disturb gives you control over your downtime. Screen Time helps you keep an eye on your device use.
The Health app makes it easy to organize and access your health information by consolidating your data from your iPhone, Apple Watch, and the third-party apps you use in one convenient, secure place. Every Apple product is built from the ground up to protect your privacy. And apps share only the information that you authorize. Apple products are designed to reduce our impact on the planet while maximizing performance and strength.
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